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By Arrangement with The Orchard See more » I feel like I was robbed. I cannot believe that the Sex and the City girls would stoop so low to make this film. Despite the tacky clothes, plot and totally obnoxious take on the once really hip, cool and classy girls from New York, the cinematography was horrendous.I can't believe no one on this site had mentioned the fact that you could see the microphones above the actors heads in almost every scene!There’s a weird episode where Samantha and Carrie take a train to San Francisco that works when it really shouldn’t.(It’s also the episode that Charlotte and Harry began their nice romance, which helped Charlotte come down closer to Earth after spinning into madness during the Trey years.) Carrie’s skittishness about entering a new relationship and her utter nastiness over the publication of her book offer a sly meta-criticism of the show in its particular time—how useful or meaningful is all this ultimately inconsequential stuff in a world where so many terrible things happen?
Charlotte's gallery scores a big hit with the works of the artist Baird Johnson, rare even for New Yorkers' almost un-shockable standards: drag kings, women completely dressed-up as men; Baird, himself a gentleman, even gets conservative WASP lady Charlotte to pose for him, his way.But really, who knows how many people actually followed the show's siren call to Manhattan, only to face inevitable disappointment.A decade later, those trends are largely gone, but there’s still the show—this great, thrilling, maddening, occasionally dumb show.In an interview with Ellen De Generes, Penélope Cruz mentioned that she shot her cameo in two hours.She said that she wanted to do it because she was a fan of the series and Sarah Jessica Parker.